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book coverThe Sophisticated Cat: A Gathering of Stories, Poems, and Miscellaneous Writings About Cats

Chosen by Joyce Carol Oates and Daniel Halpern

New York : Dutton, 1992

396 Pages


Dust Jacket Blurb

In this amazingly diverse new anthology, the eternal cat is captured in the prose and poetry of the world's finest writers from Aesop to Zola. Here are stories by European masters of the form—Balzac, Chekhov, Wodehouse, Saki, and Colette—along with such American masters as Edgar Allan Poe, Mark Twain, Damon Runyon, and Ernest Hemingway. The best in contemporary writing is well represented, too, by Joyce Carol Oates, James Herriot, Alice Adams, Angela Carter, and Ursula K. LeGuin, to name just a few. And the poets—from Keats and Emily Dickinson to Marianne Moore, Wallace Stevens, Elizabeth Bishop and, of course Old Possum himself, T.S. Eliot.

Finally, a wonderful group of pieces called "The Truth About Cats" collects the wisdom of the ages ranging from Herodotus to Benjamin Franklin to William Faulkner, with many a delightful digression along the way.

Utterly irresistible, The Sophisticated Cat is rich, eclectic, and universal in its appeal, the perfect anthology to dip into or to read from cover to cover for all of us who feel the affinity, unbroken for thousands of years, between the soul of that magnificent creature, the cat, and our own. And the perfect gift for cosmopolitan cat-lovers of every literary stripe.


Contents

Preface by Joyce Carol Oates
The Cat: A Preface by Daniel Halpern


1. CAT STORIES BY THE MASTERS

Anton Chekhov : Who was to Blame?
P. G. Wodehouse : The Story of Webster
Emile Zola : The Cat's Paradise
Honre de Balzac : The Afflictions of an English Cat
Saki : Tobermory
Edgar Allan Poe : The Black Cat

2. CAT POETRY FROM THE CANON

Christopher Smart : My Cat Jeoffry
Thomas Gray : Ode: On the Death of a Favorite Cat . . .
John Keats : To a Cat
Percy Bysshe Shelley : Verses on a Cat
Emily Dickinson : She Sights a Bird
Algernon Charles Swinburne : To a Cat
Jonathan Swift : A Fable of the Widow and Her Cat
Christina Rossetti : On the Day of a Cat . . .
Amy Lowell : To Winky
William Wordsworth : The Kitten and Falling Leaves
Alfred, Lord Tennyson : The Spinster's Sweet-Arts
John Skelton : [The Churlyshe Cat]

3. MORE STORIES ABOUT CATS FROM THE MASTERS

Ernest Hemingway : Cat in the Rain
Mark Twain : Dick Baker's Cat
Damon Runyon : Lillian
Colette : from La Chatte: Saha
Theophile Gautier : The White and Black Dynasties

4. CAT POETRY FROM THE TWENTIETH CENTURY

W. B. Yeats : The Cat and the Moon
Thomas Hardy : Last Words to a Dumb Friend
Hart Crane : Chaplinesque
Wallace Stevens : A Rabbit as King of the Ghosts
Robert Graves : Frightened Men
T. S. Eliot : The Naming of Cats
Walter de la Mare : The China Cat
Marianne Moore : Peter
Charles Calverly : Sad Memories
Elizabeth Bishop : Lullaby for the Cat
Weldon Kees : The Cats
Randall Jarrell : The Happy Cat
William Carlos Williams : Poem

5. MORE STORIES ABOUT CATS

James Herriot : Mrs. Bond's Cats
J. F. Powers : Death of a Favorite
Sylvia Townsend Warner : The Best Bed
Soseki Natsume : from I Am a Cat

6. CAT POETRY IN TRANSLATION

Rainer Maria Rilke : Black Cat
Charles Baudelaire : Cat
Charles Baudelaire : The Cat
Charles Baudelaire : Cats
Paul Verlaine : Woman and Cat
Paul Valery : White Cats
Heinrich Heine : [Beware of Kittens]
Heinrich Heine : Young Tomcats' Society for Poetic Music
George Seferis : The Cats of Saint Nicholas
Pablo Neruda : Cat

7. CONTEMPORARY STORYTELLERS ON CATS

Joyce Carol Oates : The White Cat
Alice Adams : The Islands
Angela Carter : Puss in Boots
Ursula K. Le Guin : Schrodinger's Cat
Francine Prose : Amateur Voodoo

8. CONTEMPORARY POETS ON CATS

Stephen Dunn : Cleanliness
Reginald Gibbons : Happy
Daniel Halpern : Sisterhood
Anthony Hecht : Divination by a Cat
Edward Hirsch : Wild Gratitude
John Hollander : Kitty and Bug
Ted Hughes : Esther's Tomcat
Galway Kinnell : The Cat
John L'Heureux : The Thing About Cats
William Matthews : The Cat
Roger McGough : My cat and i
Howard Moss : Catnip and Dogwood
Robert Phillips : Poem for Pekoe
Bin Ramke : The Cats of Balthus
Pattiann Rogers : Without Violence
May Swenson : Cat & the Weather
John Updike : Touch of Spring
Theodore Weiss : Pleasure, Pleasure

9. WHIMSICAL CAT TALES

Italo Calvino : The Tale of the Cats
The Brothers Grimm : Cat and Mouse in Partnership
Aesop : Four Fables
Rudyard Kipling : The Cat That Walked by Himself
Lewis Carroll : [The Cheshire-Cat]
Ambrose Bierce : Cat and King
Ambrose Bierce : Cat and Youth
Ambrose Bierce : John Mortonson's Funeral
Ambrose Bierce : A Cargo of Cat
W. H. Hudson : A Friendly Rat
Lafcadio Hearn : The Little Red Kitten

10. WHIMSICAL CAT POEMS

Edward Lear : The Owl and the Pussy-cat
Anonymous : Two Nursery Rhymes
La Fontaine : The Old Cat and the Young Mouse
Ambrose Bierce : The Vain Cat
Vachel Lindsay : The Mysterious Cat
Don Marquis : from archy & mehitabel

11. THE TRUTH ABOUT CATS

Peirre Loti : Dogs and Cats
Pierre Loti : The Lives of Two Cats
Guy de Maupassant : On Cats
Herodotus : The Cat of Egypt
Montaigne : My Cat
James Boswell : Hodge
Chateaubriand : An Appreciation
Sir Walter Scott : Hinse of Hinsefeld
Thomas Gray : A Letter of Condolence
Robert Southey : In Memoriam
Rainer Maria Rilke : The Cats of Balthus
William Faulkner : from The Reivers: Cats
Benjamin Franklin : A Humble Petition . . .
Adlai Stevenson : The Roaming Cat
Roy Blount, Jr. : Dogs Vis-a-Vis Cats

Preface by Joyce Carol Oates

It has often been observed that, through the centuries, writers have been drawn to cats above all animals: not simply to loving relationships with them, but to the veneration of them in poetry and prose. Why?

I was watching our new, six-month kitten stalking, with excruciating patience, an invisible prey in the grass and tangled vines outside my study window, observing how, in what must seem to him "the wild," Reynard quivered as if charged with electricity: his eyes tawny yellow, ears stiffly alert, head poised and body in a crouch that would enable his muscular little hindlegs to propel him forward onto his prey. There was something touching and comical in such behavior in so young a cat—unless there was something chilling. For, no mistake about it, little Reynard is a born hunter, a true carnivore, and his small jaws are made to tear, crunch, and chew. Fortunately, as his human owner, I am too large to be his prey.

After some suspenseful moments, during which time Reynard tremulously advanced upon whatever it was that had excited his hunter's instinct, a real or fancied movement triggered a spring, and he leapt—pouncing on some leaves. I tapped against the windowpane, and he immediately trotted over, tail erect, eyes urgently fixed upon me, tiny mouth opening in a mewing appeal. How swift, the transformation from lethal hunter-carnivore to sweet-natured household pet! Is this a dazzling display of virtuoso "adaptive behavior," or is it a brilliant example of animal hypocrisy? Is it both? Which is the "real" Reynard? Where genetically determined behavior and socialized behavior conflict, which would yield to the other?

In the cats with whom many of us live so companionably, the transition from hunter-carnivore to household pet takes place in a matter of seconds; in the history of evolution, it is a matter of millennia. Though it is estimated that dogs first became domesticated approximately twelve thousand years ago, it is estimated that Felis sylvestris (the wildcat) evolved into Felis catus (the domestic cat) only five thousand years ago; the claim that man "domesticated" the cat for his own purposes is surely a flattering myth propagated by cats, for how much more likely that Felis sylvestris "domesticated" man for his purposes. (Can we speculate what those purposes might be?) It is a mystery of evolution that, while all members of the family of Felidae save one are known for their untameability (and their dangerousness), this one member, Felis sylvestris, so happily adapted himself to man. How cunning! How farsighted! Unlike dogs, with whom they are obliged to share human households, cats are creatures unwilling (not unable: unwilling) to do anything against the grain of their desire, even for rewards.

Clearly, Felis sylvestris domesticated us because he wished to: because he had a plan.

As the great variety of poetry and prose pieces in The Sophisticated Cat suggests, writers have long been fascinated by cats. Male, female, "romantic," coolly skeptical—we are mesmerized by the beautiful wild creatures who long ago chose to domesticate us, and who condescend to live with us, so wonderfully to their advantage; and, of course, to ours. My theory is that the writer senses a deep and profound kinship with the cat: Felis sylvestris in the well-groomed furry cloak and mask of Felis catus. The wildcat is the "real" cat, the soul of the domestic cat; unknowable to human beings, he yet exists inside our household pets, who have long ago seduced us with their seemingly civilized ways. (Yes, and with their beauty, grace, independence, willfulness—the model of what a human being should be.) The writer, like any artist, is inhabited by an unknowable and unpredictable core of being which, by custom, we designate "the imagination" or "the unconscious" (as if naming were the equivalent to knowing, let alone controlling), and so in the accessibility of Felis catus we sense the secret, demonic, wholly inaccessible presence of Felis sylvestris.

For like calls out to like, across even the abyss of species.

Reviews

  • Publisher's Weekly, August 31, 1992, p63
  • Booklist, October 15, 1992, p393,411
  • Library Journal, October 15, 1992, p68
  • Washington Post Book World, December 6, 1992, p7
  • Cosmopolitan, November 1993, p30
  • Observer, November 28, 1993, p16

 


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